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EXHIBITIONS

Through guided tours, gallery talks, interactive storytelling, workshops, lectures, and other educational programming, the Loves Jazz & Arts Center seeks to inform its patrons of all ages of the contributions of African American artists in the Omaha region and nation wide.

Exhibit-based guided tours illuminate the theme and content and correspond to established standardized goals.

Online Exhibitions
Catalogues
“Islands of Spirits”
“Anonymous African American Portraits”
“Lamentations & Celebrations”

"African American Quilts from the Robert and Helen Cargo Collection,"

past exhibitions

Click a photo for more infomation

"Anonymous"

African American Portraits


FRINGGOLD
Faith Ringgold

“Dinner at Aunt Connie’s”
fbrown
Frederick Brown

Jazz Musician Icons

rudysmith

Rudy Smith

"In Our Own Image"

bhoyes

Bernard Stanley Hoyes

"Lamentations & Celebrations"

kleung
Dr. Kam Ching Leung

“Islands of Spirits

artteachers

Juried Nebraska Art Educators Exhibition

aaquilts

African American
Quilts

ibiyinka
Ibiyinka Olufemi Alao

Ibiyinka Olufemi Alao

1st Annual African American
Exhibition

2nd Annual African American
Exhibition

Courage Under Fire

113 year History of Omaha's Black Firefighters

A League of Our Own:

The story of Negro league Baseball

 

Loves Jazz & Art Center (LJAC) 402-502-5291 Omaha NE 68110-2219
http://www.lovesjazzartcenter.org

Copyright © 2007 Love Jazz & Arts Center. All rights reserved.

 
 

Currently Showing

The exhibition opened on June 18th and runs through August 1st, 2008. This exhibition showcases a collection of  paintings by Neville Murray & historic photographs showcasing Negro League Baseball. A world existed for a half-century when the best black players were not allowed to play on the same field with the best white players. During this era of separation, there were two parallel major leagues that co-existed until the eradication of baseball's color line when Branch Rickey signed Jackie Robinson to a Brooklyn Dodger contract. The history of the white major leagues has been well chronicled, but only in recent years has the history of the black major leagues started to get the recognition that it deserves. More


A special presentation and discussion of the history of Omaha’s Black Firefighters within the context of Americas history will be presented by Humanity Scholar, Dr. Spencer Davis on May 17, and May 31st from 1:00 p.m. -3:00 p.m. at the Love Jazz Arts Center. This event is free and open to the public and made possible through grant funding from the Nebraska Humanities Council.  We invite you to share this information with others.

Please encourage schools and youth groups to visit this important part of Omaha’s history.

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This exhibition features photographs from the Loves Jazz & Arts Center's permanent collection. These wonderful photographs chronical some of the major musical giants who have called Omaha home or were regular performers at omaha's jazz venues.

“All That Omaha Jazz”

From the 1920s through the early 1960s the Near North Side neighborhood boasted a vibrant entertainment district featuring African American music. The main artery of North 24th Street was the heart of the city's African-American cultural and business community with a thriving jazz and rhythm and blues scene that attracted top-flight swing, blues and jazz bands from across the country.

The most important venue was the storied Dreamland Ballroom, which was opened in the Jewell Building in 1923 at 24th and Grant Streets in the Near North Side neighborhood. Dreamland hosted some of the greatest jazz, blues, and swing performers, including Duke Ellington, Count Basie, Louis Armstrong, Lionel Hampton, and the original Nat King Cole Trio. Whitney Young spoke there as well.[6] Other venues included Jim Bell's Harlem, opened in 1935 on Lake Street, west of 24th; McGill's Blue Room, located at 24th and Lake, and Allen's Showcase Lounge, which was located at 24th and Lake. Due to racial segregation, musicians such as Cab Calloway stayed at Myrtle Washington's at 22nd and Willis while others stayed at Charlie Trimble's at 22nd and Seward. The intersection of 24th and Lake was the setting of the Big Joe Williams song "Omaha Blues".

Notable North Omaha musicians

“ North Omaha used to be a hub for black jazz musicians, 'the triple-A league' where national bands would go to find a player to fill out their ensemble. ”

 

—Preston Love

Early North Omaha bands included Dan Desdunes Band, Simon Harrold's Melody Boys, the Sam Turner Orchestra, the Ted Adams Orchestra, and the Omaha Night Owls, as well as Red Perkins and His Original Dixie Ramblers. Lloyd Hunter's Serenaders who became the first Omaha band to record in 1931. A Lloyd Hunter concert poster can be seen on display at the Community Center in nearby Mineola, Iowa.[8] Nat Towles was a renowned territory band leader based in Omaha. The National Orchestra Service was an important company based in Omaha that managed white, black and integrated territorial bands.

 North Omaha's musical culture also birthed several nationally and internationally reputable African American musicians. International Jazz legend Preston Love, and influential drummer Buddy Miles were all friends while they grew up and played together. They collaborated throughout their lives, and while they were playing with the greatest names in Rock and Roll, Jazz, R&B and Fund. Funk bandleader Lester Abrams is also from North Omaha. Omaha-born Wynonie Harris, one of the founders of rock and roll, got his start at the North Omaha clubs and for a time lived in the now-demolished Logan Fontenelle Housing Projects at 2213 Charles Street.

One of Omaha's most notable musicians of the 1940s was Anna Mae Winburn. As the leader of North Omaha's Cotton Club Boys, which included the amazing guitarist Charlie Christian, Winburn traveled the local region as a typical territorial band. However, upon the advice of Jimmie Jewell, owner of the Jewel Building, Winburn left Omaha and hit the "big time" with the International Sweethearts of Rhythm.